- Detailed Table of Contents
- Editorial
- Julia Hoydis: "Only the Dance is Sure." Dance and Constructions of Gender in Modernist Poetry
- Cherie Hill: Shifting Tides. A Multidisciplinary Creative Process Fusing Dance, Somatics and Black Feminist Theory
- Mary Ann Maslak and Stanley M. Votruba: Two to Tango. A Reflection on Gender Roles in Argentina
- Linda White and Jonathan Miller-Lane: Ungendered Interactions and the Practice of Aikido
- Wanda Coleman: Two Poems from “Night Coffee”
Definitions of dance are manifold, involving social and cultural, historical and regional, formal and individual considerations. Dance is inevitably in specific ways bound up with issues of gender, sex/uality and ethnicity. It figures as a particularly complex site where notions of gender and sex/uality interact with issues of ethnicity, of corporeality and the symbolic, of the individual and the collective, of art and ritual in diverse cultural sites from religion to sports to the arts, from spontaneous expression to choreographed and/or ritualised performances, from the street, to the club scene and the stage, to the movies. The four articles assembled in this issue of gender forum testify to the complexity of the subject and accentuate the interrelatedness of dance and gender from rather diverse angles, rendering it as both, a possible site of doing and undoing gender.

