Performativity, Intertextuality, and Social Change: An Ethnographic Analysis of Taiwanese Gay Personal Ads — Page 5:
Works Cited
Berry, Chris, and Fran Martin. "Queer 'n' Asian On – And Off – the Net: The Role of Cyberspace in Queer Taiwan and Korea." Web.Studies: Rewiring Media Studies for the Digital Age. Ed. D. Gauntlett. London: Arnold, 2000. 74-81.
Blasius, Mark. Gay and Lesbian Politics: Sexuality and the Emergence of a New Ethic. Philadelphia: Temple UP, 1994.
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge: Harvard UP, 1984.
Butler, Judith. Bodies that Matter. On the Discursive Limits of "Sex." New York: Routledge, 1993.
_____. Excitable Speech: A Politics of the Performative. New York: Routledge, 1997.
_____. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1999.
Chang, Hsiao-Hung. "Taiwan Queer Valentines." Trajectories: Inter-Asia Cultural Studies. Ed. K. Chen. New York: Routledge. 1998. 283-98.
Child, Meredith, Low, Kathryn Graff and Cheryl A. McDonell McCormick. "Personal Advertisements of Male-to-female Transsexuals, Homosexual Men, and Heterosexuals." Sex Roles: A Journal of Research 34.5/6 (1996): 447-55.
Chou, Wah-ShanTongzhi. Politics Of Same Sex Eroticism In Chinese Societies. New York: Haworth Press, 2000.
Cohn, Steven F., and James Gallagher. "Gay Movements and Legal Change: Some Aspects of the Dynamics of a Social Problem." Social Problems 32.1 (1984): 72-86.
Deaux, Kay, and Randel Hanna. "Courtship in the Personals Column: The Influence of Gender and Sexual Orientation." Sex Roles 11,5-6 (1984): 363-75.
Elmer, Eddy. "Please be Yourself—As Long As Who You Are Suits Me (Guest Editorial)." Toronto Digital Queeries. September/October 2004. 13 May 2008. .
Farmer, Brett. Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships. Durham: Duke UP, 2000.
Felluga, Dino. "Modules on Butler: On Performativity." Introductory Guide to Critical Theory. 2006. Purdue U. 13 May 2008.
Gamson, Joshua. "Must Identity Movements Self-Destruct? A Queer Dilemma." Social Problems 42.3 (1995): 390-407.
_____. "Gay Media, Inc: Media Structures, the New Gay Conglomerates, and Collective Sexual Identities." CyberActivism: Online Activism in Theory and Practice. Ed. McCaughey and Ayers. New York: Routledge, 2003. 255-78.
Gonzales, Marti Hope, and Sarah A. Meyers. "Your Mother Would Like Me: Self-Presentation in The Personals Ads of Heterosexual and Homosexual Men and Women." PSPB 19,2 (1993): 131-42.
Hall, Stuart. "New Ethnicity." Black Film, British Cinema. Ed. Kobena Mercer. London: ICA, 1988.
Hou Chen-Nang. Creating the Internet as Alternative Media: A Study of the Role of Gay Virtual Community in Taiwan's Political Participation. E-Society, 2005.
Jenness, Valerie. "Social Movement Growth, Domain Expansion, and Framing Processes: The Gay/Lesbian Movement and Violence Against Gays and Lesbians as a Social Problem." Social Problems 42 (1995):145-70.
Jones, H. Rodney. "Potato Seeking Rice: Language, Culture and Identity in Gay Personal Ads in Hong Kong." International Journal of the Sociology of Language 143 (2000): 33-61.
Koestner, Richard, and Ladd Wheeler. "Self-Presentation in Personal Advertisements: The Influence of Implicit Notions of Attraction and Role Expectations." Journal of Social and Personal Relationships 5 (1988): 149-60.
Lloyd, Moya. "Performativity, Parody, Politics." Theory, Culture & Society 16,2 (1999): 195-213.
Riesman, Judith A. Partner Solicitation Language As A Reflection Of Male Sexual Orientation. National Association for Research and Therapy of Homosexuality,1998.
Shelp, Scott. "Gaydar: Visual Detection of Sexual Orientation among Gay and Straight Men."Journal of Homosexuality 44.1 (2002): 1-14.
Yang, C. "Internet and Gay Civil Right Movement in Taiwan". Paper presented at the International Communication Association, May 1999, San Francisco.
Notes
- 1) This article is a revised version of a paper presented at the Association for Education in Journalism and Mass Communication in Toronto, Canada, August 2004.
- 2) Ai-Bao means "Love Newspaper," while G & L is an abbreviation of gay and lesbian.
- 3) In this paper, all Chinese names of my informants are pseudonyms. The paper keeps English names as given by informants. The use of English names in the Taiwanese context has a high degree of anonymity since these names are not official. Most personal advertisement posters use English names so as not to reveal their real identity. It is common for Taiwanese to have ten English names for different occasions.
- 4) The English pronoun you does not differentiate male or female. However, such a distinction is made in Chinese. In other words, the personal ad loses its specifically male addressee when translated into English.
- 5) Gay-themed movies showing at the in 1991 Taipei Golden Horse film festival included: Garden (GB 1990); Torch Song Trilogy (US 1988); Total Eclipse (US 1990).
- 6) Eric Rohmer is an acclaimed French filmmaker and a frontier in the French New Wave. His film was screened in the Golden Horse film festival. Several informants of the study felt that the female narrators in his movie in fact are gay men in drag.
- 7) As a longstanding friend of the author, Corey (pseudonym) volunteered to offer many personals he posted and share with me what he thought of the responses he received.
- 8) Qu Yuan relates the notion of friendless officials and concubine's sons in one of the earliest pieces of Chinese classic literature, Li Sao (Sorrow of Parting), to the ostracism experienced by male homosexuals in modern society.
- 9) Beginning in the early 1980s, the Taiwanese gay community became increasingly visible in urban settings, most notably the Taipei New Park depicted in Crystal Boys and other gay-themed works of fiction. Located in proximity to the presidential palace and parliament, the Taipei New Park was established as a public space, but the Chinese-styled architecture and the abundance of shade combined with the frequent intrusion from patrols and the enforcement of martial law made it a significant location laden with cultural connotations for sexual minorities in the 1980s.
- 10) Thus, the line "Oh, you are here too," derived from the theme song of the film version of Crystal Boys, Taiwan’s first gay-themed movie, and alludes to a reunion after a lengthy journey in which disbelief and mischief almost ruin homosexual relationships.

