- Detailed table of contents
- Editorial
- Renate Brosch: Looking at Women Looking: Female Portraits in the Gender Crisis.
- Katrin Greim: More to the Story: Discursive Violence in Aimée and Jaguar
- Christiane König: The Performance of Male Subjectivity in “The Matrix Trilogy”
- Elizabeth Parsons: The Body of Work - Dorothy Porter's “Akhenaten”
- Olaf Stieglitz and Massimo Perinelli: Liquid Laughter. A Gendered History of Milk & Alcohol Drinking in West-German and US Film Comedies of the 1950s
- Isabelle Stauffer: Heroines of Gaze. Gender and Self-Reflexivity in Current Espionage Films
- Interview: "No one claps at the end of a novel" - A Conversation with Laura Wade
- Review (Review): Stephen M. Barber and David L. Clark (eds.). “Regarding Sedgwick. Essays on Queer Culture and Critical Theory.” New York: Routledge, 2002.
- Review (Review): Sherrie A. Inness (ed.). “Action Chicks: New Images of Tough Women in Popular Culture.” New York: Palgrave Macmillan, 2004.
- Review (Review): Jane Pilcher and Imelda Whelehan. “50 Key Concepts in Gender Studies.” London: Sage, 2004.
- Review (Review): Eckart Voigts-Virchow (ed.). “Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s.” Tübingen: Gunter Narr Verlag, 2004.
- Laura Wade: “Other Hands” (Excerpt)
Imagendering II is a continuation of Imagendering I, analyzing visualisations of gender and the gendering of visualisation. This second issue presents target essays which focus on the negotiation of gender and sexuality in contemporary poetry, in the nineteenth-century image culture, and in films of diverse genres, from US and German comedies of the 1950s to The Matrix trilogy.
